Telling See character.
Tercet A three-line stanza. See also stanza, triplet.
Terza rima An interlocking three-line rhyme scheme: aba, bcb, cdc, ded, and so on. Dante's The Divine Comedy, and Frost's "Acquainted with the Night" are written in terza rima. See also rhyme, tercet.
Theme The central meaning or dominant idea in a literary work. A theme provides a unifying point around which the plot, characters, setting, point of view, symbols, and other elements of a work are organized. It is important not to mistake the theme for the actual subject of the work; the theme refers to the abstract concept that is made concrete through the images, characterization, and action of the text. In nonfiction, however, the theme generally refers to the main topic of the discourse. For discussions of theme and an exercise, go to the VirtuaLit Interactive Fiction Tutorial.
Thesis The central idea of an essay. The thesis is a complete sentence (although sometimes it may require more than one sentence) that establishes the topic of the essay in clear, unambiguous language.
Tone The author's implicit attitude toward the reader or the people, places, and events in a work as revealed by the elements of the author's style. Tone may be characterized as serious or ironic, sad or happy, private or public, angry or affectionate, bitter or nostalgic, or any other attitudes and feelings that human beings experience. See also style. For discussions of tone and an exercise, go to the VirtuaLit Interactive Poetry Tutorial and the VirtuaLit Interactive Fiction Tutorial.
Tragedy A story that presents courageous individuals who confront powerful forces within or outside themselves with a dignity that reveals the breadth and depth of the human spirit in the face of failure, defeat, and even death. Tragedies recount an individual's downfall; they usually begin high and end low. Shakespeare is known for his tragedies, including Macbeth, King Lear, Othello, and Hamlet. The revenge tragedy is a well-established type of drama that can be traced back to Greek and Roman plays, particularly through the Roman playwright Seneca (c. 3 b.c.- a.d. 63). Revenge tragedies basically consist of a murder that has to be avenged by a relative of the victim. Typically, the victim's ghost appears to demand revenge, and invariably madness of some sort is worked into subsequent events, which ultimately end in the deaths of the murderer, the avenger, and a number of other characters. Shakespeare's Hamlet subscribes to the basic ingredients of revenge tragedy, but it also transcends these conventions because Hamlet contemplates not merely revenge but suicide and the meaning of life itself. A tragic flaw is an error or defect in the tragic hero that leads to his downfall, such as greed, pride, or ambition. This flaw may be a result of bad character, bad judgment, an inherited weakness, or any other defect of character. Tragic irony is a form of dramatic irony found in tragedies such as Oedipus the King, in which Oedipus ironically ends up hunting himself. See also comedy, drama.
Tragic flaw See tragedy.
Tragic irony See irony, tragedy.
Tragicomedy A type of drama that combines certain elements of both tragedy and comedy. The play's plot tends to be serious, leading to a terrible catastrophe, until an unexpected turn in events leads to a reversal of circumstance, and the story ends happily. Tragicomedy often employs a romantic, fast-moving plot dealing with love, jealousy, disguises, treachery, intrigue, and surprises, all moving toward a melodramatic resolution. Shakespeare's Merchant of Venice is a tragicomedy. See also comedy, drama, melodrama, tragedy.
Triplet A tercet in which all three lines rhyme. See also tercet.
Trochaic meter See foot.
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